【导语】“爱拼才会赢2008”通过精心收集，向本站投稿了19篇用导游词介绍湄洲岛，以下是小编整理后的用导游词介绍湄洲岛，欢迎阅读分享。
- 目录
篇1：用导游词介绍湄洲岛
中国每年过春节的时候都是最热闹的，就连法定节假日也会比平时多好几天呢，可见在中国是非常重视春节的，可是呢在莆田却不一样，这里是非常的重视元宵节的，这边过元宵是从正月初六就开始的，一直闹到了正月二十九这一天。而过年的时候就相对没有那么的热闹。据说明朝的时候，倭寇入侵这边，一直到大年已经过了，才得以平复，当正月初二的这一天，外出逃难的百姓回来，看到满地的尸体，不由的感到伤心，难过，于是后来人们就把这一天定为了探亡日，因此到初二是不允许出门的，因为觉得不吉利。后来的人觉得过年不探亲访友不大方便，于是就说如果初一有出门，那么初二就不用忌讳这个了。
大家有没有看过刘涛演的《妈祖》这部电视剧?这部电视剧呢根据妈祖的事迹改编而成。据说在她还没有出生的时候家里就有1个男孩和5个女孩了，大家也都知道封建社会呢，当时家里一般都是靠男人出去挣钱养家，而女子是不可以抛头露面的，所以呢，当时家里就想要再生一个，希望可以扩大家业。于是呢，就像观音菩萨祈求，祈求菩萨再赐一个孩子给他们，公元960年的农历三月二十三日，傍晚，村民们看到有一束红光直射林家，就在这个时候，林氏生下了一个女婴，因为她从出生到满月都不哭不闹，所以呢，她的父亲就给他取名为默，意为沉默的意思。
林默自小就很聪慧，读书过目不忘，由于父亲是当时的海上巡检司，因此呢，林默自小就接触有关海洋气象的知识，因为经常和父亲出海，所以呢，她逐渐熟悉了水性，掌握了怎么预测海洋气候。每当她预测出海上气象有什么问题的时候，她都会提醒大家，让大家避凶就吉。而且她还会时常帮助遇难的百姓和渔船。所以当时的人呢，在她的名字后面加了一个娘字，称她为林默娘。
篇2：用导游词介绍湄洲岛
各位团友大家好，欢迎大家来莆田，首先请允许我做一下自我介绍，我是___的导游，我的姓呢在这里我要出个字谜，有1没2有3没4有东没西，大家猜我姓什么?嗯，回答正确，我姓陈，名字呢和中国历史上两位著名领导人的挚爱有关，我叫颖龄，颖是周恩来的邓颖超的颖，龄是孙中山的夫人宋庆龄的龄。大家可以叫我小陈就好。那么今天大家湄洲岛的行程就由小陈负责，如果大家在旅游过程中碰到什么问题可以告诉小陈，小陈一定尽力为大家服务。
大家是第一次来莆田吗?有的是有的已经来过几次了是吗?那有谁知道莆田的四区一县指的是哪些吗?四区是指城厢区、荔城区、秀屿区和涵江区，一县是仙游县，这五个区域就是莆田市的辖区。我们现在所在的位置就是城厢区，从这里出发到湄洲岛大概将近一个小时，而我们所要去的湄洲岛所在的区就是秀屿区。
大家知道吗?莆田的“莆”字一开始并不是现在的莆，而是有三点水的蒲草的“蒲”。这里原来是一片大海，后来由于地壳运动，海水慢慢退去形成陆地。但是由于土地长期浸泡在海水中，盐分太重，不适合耕种，时间长了就长满了蒲草。当时这里流传着这样一句话“莆田莆田，只见蒲草不见田”，可见当时这里有多荒凉。后来中原战乱，由于莆田地处偏僻，所以相对也比较安定，于是就有很多人到这边避难，用双手把这里开垦成一片片良田。大家也知道，莆田自古靠海，难免会发生水灾，当时科学比较落后，人们就迷信地认为是因为这个蒲字带水，于是就把水去掉成为现在的莆。
篇3：用导游词介绍湄洲岛
现在很多城市都有自己的别称，比如我们的省会福州，别称叫做“榕城”，那么莆田有什么别称呢?啤酒城、鞋城，这些都是，但是其中比较出名的还是“荔城”和“兴化”这两个别称。之所以会有荔城这个别称的不只是因为这里盛产荔枝，还源于我们伟大的文学家郭沫若的曾经在这里留下的一句诗“荔城无处不荔枝，金覆平畴碧覆堤”，从那以后“荔城”这个别称就一直流传到现在。
说到莆田的另一个别称“兴化”，就要说到宋太祖赵匡胤。五代十国后期，赵匡胤发动了历史上有名的“陈桥兵变”，登上了皇位，建立了大宋朝。为了统一中国，就派兵征服各地军阀、诸侯。由于莆田当时地处偏僻，为了保护自已的家乡抵御外侵，莆田人民自发组织了一支武装军队。赵匡胤每次派兵来想收服这支军队均以失败告终，赵匡胤因此而十分苦脑。后来，朝中有一位大臣，他是莆田人。他向宋太祖献策说：“我是莆田人，所以我最了解家乡的人民。要收服这支军队只能智取不能武攻”。宋太祖不解，问其为何，大臣写了四个字“兴德化民”。意思是说皇帝应以恩德来感化民心。于是赵匡胤采纳了这个计策，在莆田施行了一系列分田、减税等有利于人民的措施，感化了民心。最终不费一兵一卒就收服了这支军队，并把它编为兴化军，隶属于兴化府，“兴化”别称因此而来。而在莆田以兴化命名的特产还很多，如“兴化米粉”、“兴化桂圆干”等。兴化米粉以“白如银、细如丝”的特点而著称，它是用大米细工多道特殊工艺制成的。
篇4：用导游词介绍湄洲岛
关于兴化米粉，这里呢还有一个故事要跟大家分享，这是关于明代才子柯潜应对的传说。明朝景泰年间，莆田阔口有一位美丽的女子，不仅生得漂亮还有才华，家里是以加工米粉为业。她十分仰慕柯潜的才学，有一天她听说柯潜要来阔口买米粉，便在阔口桥头出对，并说柯潜要是对出来她就嫁给柯潜。第一联是“地名阔口何无舌”，柯潜对“山号胡公岂有须”。第二联呢就比较难了，是个拆字对“八刀分米粉”，柯潜对不出来，于是只好先买了米粉回家去。当他走到桥头时隐隐约约听到梅峰寺传来的钟声，想出“千里重金锺”的下对。可是已经来不及了，那名女子见大才子柯潜都对不出来，此生再找不到意中人，绝望之下跳入阔口海波中自尽了。柯潜后来中了状元，官至少聊，还是忘不了做米粉的才女，终身都没有娶妻。中午我们在湄洲岛上就可以品尝到这道兴化米粉。
接下来我为大家简单地介绍下湄洲岛的基本情况。为什么叫做湄洲岛呢?这是因为整个岛屿的形状像一个人的眉毛，而且又四面环水，所以取名“湄州”。“所谓伊人，在水之湄”，说的就是湄洲岛这个地方呢盛产美女，当然岛上美女的代表人物当属我们的海神——妈祖娘娘了。
中国的许多宗教人物都虚拟的、不存在的，但是我们的妈祖却是真有其人。据明代《天妃显圣录》记载，妈祖是湄洲湾畔港里村人，父亲林愿，母亲王氏，生有一男五女。她的父母十分盼望再生个儿子光耀门楣，于是天天向菩萨祷告。宋建隆元年(公元960年)农历三月二十三，湄洲岛对岸贤良港的林家房屋上空一片红光，林家生了一个女儿。各位团友，我想请大家回答我一个问题，小孩刚出生时做的第一件事情是什么?对了，就是哭。但是林家的女儿从出生到满月没有啼哭过一声。她父亲给她取名单字一个“默”，叫林默。这林默便是我们莆田的奇女子——妈祖。
林默从小就非常聪明，8岁就能诵经、释文、知书达礼、观察天象，父亲带她出海几次，她就熟悉海路和水性了。在13岁时得到一位玄通老道的点化，她学会了“玄微秘法”，16岁时从井中得到一面铜符，有了未卜先知的本领，法力神通。她心地非常的善良，经常帮助乡亲们，为他们解决生活上的困难，帮助他们医治一些小病小灾。乡亲们都非常的喜欢她，亲切的称她为“默娘”。转眼间默娘到了谈婚论嫁的年纪了。因为默娘心地善良且才智过人，所以到林家来提亲的人几乎踏破了林家的门槛。但是无论对方多么的优质、无论父母如何苦口婆心的劝说，默娘始终不肯嫁人。
篇5：用导游词介绍湄洲岛
湄洲湾是一个优质的天然深水良港，是当时海上贸易的交通要道。这里商船如帜，热闹非凡。俗话说：“水可载舟亦可覆舟”。大海深不可测，海上的气候情况更是难以预料。每当有船只在湄洲湾遭遇海难时，默娘就会架着她的小舟去营救这些船只，直到把他们引入避风港，转危为安。默娘的勇敢、智慧、善良也随着这些船只声名远播，传遍四海。人们都知道在莆田湄洲岛上有一位善良的奇女子。
宋雍熙四年(公元987年)，默娘28岁了，这一天湄洲岛上空乌云密布、狂风大作。默娘又驶着她的小舟出海了。刚到海上她就看到一船商船在海上，因为对湄洲湾的地形不熟悉，船只迷失了方向。默娘不顾自身的安危，架着小舟靠近船只，慢慢的把他们引入港口。突然一个浪头打过，默娘来不及躲避，被大浪吞没了。而这一天正好是农历九月初九重阳节。默娘去世后，乡亲们怀念这位善良、勇敢的女子，感谢治病救人和拯救商旅的恩惠，在湄洲岛上盖了一座“神女祠”来祭拜她。这“神女祠”就是湄洲妈祖祖庙的前身。也是全世界最早的一座供奉妈祖的庙宇。
篇6：湄洲岛导游词介绍
各位游客朋友们，大家好!我代表旅行社欢迎来到湄洲妈祖祖庙参观朝拜妈祖。先做一下自我介绍，我是中国旅行社的专职导游，我姓陈，名______，大家可以叫我小陈或陈导。今天的妈祖朝圣之旅就由我来为大家服务，希望小陈的服务能让大家满意，也提前预祝大家旅途愉快!
来到湄洲岛就不得不介绍一下妈祖，据明朝的《天妃显圣录》记载，妈祖原来是湄洲湾畔港里村人，父亲叫林愿，愿望的愿，已经生有一男五女了，老两口一直希望再生个儿子，于是天天向观音菩萨祷告，直到宋朝建隆元年，(公元960年)农历三月二十三日傍晚，乡里人看到一道红光直射林家，照耀的周围的石头都发红了，此时呢，怀胎十月的林母产下一个女婴，因为妈祖从出生到满月都没哭过，父母便给她取名“默”。林默从小聪明伶俐，过目不忘。她父亲是当年的海上巡检司，因此她可以博览群书，特别是有关海洋气象方面的书，也有机会跟随父亲出海，渐渐的学会了掌握水性，观测天象，她能预测海上气候变化，告诫出海的乡亲避凶就吉，还经常奋不顾身的抢救遇难的渔船，商船。她又精通医理，能用草药为人治病，教人消疫防灾。妈祖一生行善济世，只用过人，因此留下了许多神话传说。有说她13岁即受玄通老道点化，授以“玄微妙法”，16岁时，照装于井，忽见一神人手捧铜符一面，涌井而上，奉送与他，从此法力神通，能预知未来，还能乘席渡海，力挽狂澜，因此被人们成为神女，灵女。宋雍熙四年(公元987年)，九月九日，年仅28岁的林默为抢救海难而英勇献身。
为什么一个普通的女子会被这么多的人景仰，朝拜呢?大致说来有这么几个原因，一是由于她一生行善济世，智勇过人，受到了民间的尊敬，后来传说明朝郑成功七次下西洋的时候曾多次受到妈祖的庇佑，回来后便向朝廷请求封赏，施琅将收复台湾的时候，在海上行军也说见过妈祖显灵，所以前后下来，共被朝廷加封了64次之多 ，由原来的“灵慧夫人”封爵为“圣妃”，再到“天妃”“天后”等等。由此可见，妈祖在中国历史中的地位，还有中国的台湾同胞非常信奉妈祖，很多人都到湄洲朝圣，捐献香火，也使得妈祖的香火这么旺盛!
说了这么多，我们也已经到山门前面了，这是寺庙的第一道门即为山门，这座山门造型特别，为皇家城阙形制，这是因为妈祖的封号是天上圣母，是至高无上的女神。山门内供奉的是千里眼和顺风耳。由于今天岛上的游客较多，请大家注意保管好自己的行李物品，以防遗失。
好的，现在我们顺着山门往上走，我们眼前的这道门称仪门，大家可以看到上面有个竖匾，写着“圣旨”二字，因此这道门又称“圣旨门”，是台湾大甲镇澜宫捐建，谕示妈祖曾经受历代帝王各种褒封。仪门内的这个大广场，是每次祭奠时大型乐舞表演的地方。 前方左右为钟鼓楼，每次祭祀鼓响三通则祭奠开始，敲钟则礼终。
再走过一个山门，我们就到了 “太子殿”，也就是清朝福建总督姚启圣所建的“正殿”，因为姚启圣曾任太子少保兵部尚书，所以取名“太子殿”。姚启圣原想以此作为正殿，使正殿按一般寺庙建筑风格位于中轴线上，但民间习惯上仍愿意遵循古制，只认定旁边的这座最原始的正殿。现在请大家随我前去参观。
好了，这就是妈祖亿万信徒心中的圣地了。大家可别小看了她啊!她可是世界三千多座妈祖庙的祖庙啊!而且这里的香火非常旺盛，也非常灵验。大家待会可以在这里烧烧香，拜拜妈祖，祈求家人平安幸福!不过先请大家随我看门柱上的这幅对联，上联为十个“齐”字加个“斋”字，下联为十个“朝”字加个“音”字。这究竟是什么意思呢?
原来，这是巧妙的运用古汉语通假字的特点，即“齐”与“斋”、“朝”、与“潮”均可通假而作。可读作“齐斋，齐斋，齐齐斋，齐齐斋戒;朝潮，朝潮，朝朝潮，朝朝潮音”。什么意思呢?我们先来看上联“齐齐斋戒”这是说信徒在朝拜妈祖之前要先淋浴，斋戒;下联的“朝潮”是说朝拜的盛况就像长流不息的湄洲潮水一样常年不断。由此可见信徒的虔诚与妈祖的影响了吧!传说这副对联是明朝莆田才子戴大宾所作。
现在大家随我进殿参拜参观，这座殿堂分上下殿，中间以天井相连。正梁悬挂的“神昭海表”匾额是清雍正皇帝御笔颁赐，命福建总督膜制三块分挂于湄洲祖庙及厦门、台湾两座分灵庙。后来，这四字题匾几乎为所有妈祖庙所复制。我们看殿前蹲坐的这尊妈祖神像，她神态安详，雍容华贵，这尊是“出巡妈祖”，是木雕软木的，也就是四肢可以活动的，这尊像曾在赴台湾巡游一百天，引起了台湾地区极大的轰动。在出巡妈祖像后还有一尊妈祖像，是木雕硬身的镇殿妈祖。当软身的妈祖出巡是，镇殿妈祖就留在庙中接受信众朝拜。大家看两边神龛中的都是妈祖的陪神，称十八阙仙班，其中有的是古代其他地方奉祀的海神，有的是被妈祖收服的海妖水怪。大家在这可以烧香、拜拜妈祖 祈求一下家人平安。
好，现在我们去参观妈祖升天的地方，这里也是立庙供奉妈祖的地方。参观完升天古迹，大家继续跟着我登高去朝天阁看一下，这里是中轴线的最高点，里面供奉的妈祖与别的殿里有什么不同呢，细心地朋友应该发现了，妈祖的面相是黑色的。这里呢有个传说，据说当年台湾信众把妈祖分灵回去途中，在海上航行数月，日夜焚香膜拜，虔诚的烟火熏黑了妈祖的脸，于是台湾妈祖宫供奉的是黑面妈祖，因为朝天阁是台湾的朝天宫捐建的，里面供奉的妈祖自然也是黑脸的了。
好的前面 就是“妈祖公园”了。大家请随我一起来瞻仰一下妈祖的石像。这尊妈祖的石像是由厦门大学的教授于1990年设计的，像高14.35米，用365块花岗岩石雕砌的，象征着妈祖一年365天天天保佑着14.35平方公里上的居民平安幸福。有意思的是在台湾的鹿港朝天宫有一尊一模一样的妈祖石像与之隔海相望，共同维护两岸的和平与安宁。
好啦，朝拜妈祖之行到此就要结束了，希望我的讲解能令大家满意，不周之处还请大家谅解。谢谢各位嘉宾。
导游词范文介绍
篇7：介绍福建湄洲岛的导游词
各位游客，大家好!欢迎大家来到莆田湄州岛参观游览。我是大家此行的导游员，我姓姚，大家可以称我姚导。在游览的过程中，请大家认清导游旗的标志，以免走散,也希望大家做一个文明的游客,不要乱扔垃圾，祝大家今天能玩得开心、愉快!
首先我们来到湄洲岛的妈祖庙，尊称为“湄洲祖庙”，创建于宋雍熙四年(公元987年)。妈祖原名为林默娘，出生于宋建隆元年(公元960年)三月廿三，因生下来不啼不哭，默默无声，于是父母就为她取名“默娘”，她从小聪明伶俐，8岁能诵经，10岁能释文，13岁学道，16岁踩浪渡海，懂医术，识气象，通航海。她经常在海上抢救遇险渔民，救人无数，为乡亲们做过许许多多的好事。民间传说她在一次营救当中不幸被船桅击中身亡的，时年28岁。当地人民为了纪念她随即立庙祀奉。
接着我们沿着山门上来来到了仪门，仪门内的这个大广场，是祭奠时大型乐舞表演的地方，左右两边分别是钟楼和鼓楼。现在我们又来到了“太子殿”，大家就随我进去参观，这里就是妈祖亿万信徒心中的圣地了，要保平安的游客可以在这里点香拜拜。
游客们，最后一程咱们到山顶的妈祖石雕像去看看。大家要数哦!要登99级台阶方可抵达，而且从山下妈祖庙的牌楼到山顶的妈祖像整条轴线总长是323米。99蕴含有妈祖九月初九升天之意，而323是为纪念妈祖三月二十三的诞辰之日。这尊石雕总高14.35米，由365块花岗石砌成，它象征着妈祖保佑这14.35平方公里湄洲大地上的居民，一年365天天天平安幸福。在海的对面台湾鹿港朝天宫有一尊一模一样的妈祖石像与之隔海相望，共同维护着台湾海峡的和平与安宁。
各位游客，时间过得真快!今天的旅程到此结束，感谢大家对我工作的支持与配合，愿湄洲岛迷人的风光给大家留下深刻的印象。
篇8：用英语介绍成都导游词
The Tang stele standing in the pavilion inside the gate of Wuhou Temple, also known as “three unique steles”, is one of the oldest steles in Chengdu. When it comes to its reputation and influence in later generations, this monument is second to none in Chengdu.
Sanjue stele the original name of the Tang stele is the stele of the ancestral hall of marquis Wu of Zhuge, the Prime Minister of the Han Dynasty, which was established in the fourth year of Yuanhe (809) of emperor Xianzong of the Tang Dynasty. The height, width and thickness of the body and cap are 367cm, 95cm and 25cm respectively. The cloud pattern carving of the stele cap has the artistic characteristics of stone carving in the Tang Dynasty. The stone is gorge stone. There are 22 lines of inscriptions, each of which is about 50 words in regular script.
Pei Du, the author of the inscription, was a famous politician in the middle and late Tang Dynasty. In the second year of Yuanhe (807) in Chengdu, Wu Yuanheng, the Prime Minister of the Tang Dynasty, was appointed governor of Sichuan Province in Jiannan, and Pei Du was accompanied by his staff. Pei dujiu wanted to write an article to praise Zhuge Liang. After visiting Wuhou Temple in Chengdu, he wrote this inscription with admiration. The content of the inscription is divided into preface and inscription. At the beginning of the preface, Pei Du praised Zhuge Liang as a rare feudal statesman who had the talent of founding a country, the skill of governing people, the integrity of serving the king and the way of establishing himself. Feidu said that when there was chaos in the late Han Dynasty and there were disputes among the heroes, the scholars rushed to offer advice for fear of failure. Zhuge Liang was alone in Longzhong, and he was in charge of music. Once Liu Bei looked at it three times, Zhuge Liang decided the opportunity by “one word” in Longzhong Dui, and established the grand plan of tripartite confrontation.
Fei Du praised Zhuge Liang for abolishing the bad government in the late Han Dynasty, enforcing the law fairly, appointing people on the basis of merit, ruling the country and stressing martial arts. He believed that under the painstaking governance of Zhuge Liang, the humble [Shu Han] government was unified and the morality was popular. He became a rich country and had a strong army capable of fighting. Fei Du refutes Cui Hao and others' evaluation of Zhuge Liang and thinks that we can't judge the hero by success or failure. If God gives Zhuge Liang some more time, he will accomplish the great cause of unifying the country. The inscription is in parallel style, with 64 sentences in four characters. It compares Zhuge Liang with Yiyin, Jiang Shang, Xiao He and Zhang Liang, and praises his immortal achievements. Finally, the inscription praises Zhuge Liang's merits and virtues, which are as high as mountains and flowing water. They exist between heaven and earth and in the hearts of the people in Shu.
Inscriptions: “in the past, I was the first lord. I thought of opening up the territory of Xinjiang. I was busy and depended on it. Heroes had no help. So I got Marquis Wu and settled the land of Shu first. Moral City, etiquette. Warm things like spring, people like God. Work without complaint, use with ethics. Rou Sheng manluo, Pu Dun Weibin, photos of Weiwei living in Huairen. The Central Plains food, unexpected not, in order to win, allow to reach its extreme. Heaven did not regret the disaster, the public life is not fruit, Han Zuo its death, will fall in the star. The flag against the drum, still go Sima, dead and can do, when the small world.
His father was still in the Zhou Dynasty, a Heng was in charge of the Shang Dynasty, and he was also in charge of Yan Dynasty. He was born in the Han Dynasty and Xiao Zhang was in charge of the Han Dynasty. Whine: the intrigue works hard, and the ambition is suppressed. I feel the pain of banishment, or cry or die. There are many different paths. Based on loyalty and forgiveness, who is not happy? If you are not sincere, you will be loyal. The ancient cypress is dense, and the temple is deep. It does not offer sacrifices to the gods, but beg for the present. If there is a light, it will not run fast. The wind of Shu, the heart of Shu people, Jingjiang Qingbo, Yulei juncen, into the sea, the sky, know Gongde sound. In the fourth year of Yuanhe, he was born in Jichou on February 29. ”
Liu gongchuo, the elixir of calligraphy, is the elder brother of Liu Gongquan, the founder of Liuti in regular script. Later generations praised Tang steles for their vigorous writing, beautiful words and precise meaning, and vigorous and strict calligraphy. In addition, Lu Jian, the engraver, is very strict in the cutting technique, so the stele has the reputation of “three unique”. For example, Ronghua, governor of Sichuan in the Ming Dynasty, wrote a postscript on the front of the stele, saying that feiwen and Liushu were “two unique records of sincerity”, which could be compared with Zhuge's merits and virtues. After that, people used to call it “three unique steles”.
For more than a thousand years, the Tang stele has been damaged with the passage of time, but the erosion is not large. Up to now, most of the inscriptions are still neat and basically intact. Due to the stone quality, climate and other reasons, there are few ancient steles preserved in Chengdu, which is the only complete Tang Dynasty stele in Chengdu.
Among the 53 existing steles in Wuhou Temple in Chengdu, the most famous one is the Tang stele, which is known as “three unique steles”. The inscription, standing in 809 A.D., is 3-67 meters high, 0-95 meters wide and 0-25 meters thick; The inscription was written by Pei Du, a former censor and prime minister. It was written by Liu gongchuo, a former Minister of the Ministry of official and the Ministry of military affairs, and also the brother of Liu Gongquan, a famous calligrapher. It was carved by Lu Jian, a famous craftsman in Sichuan at that time. The article, calligraphy and engraving are all excellent, so it is called “three unique steles”. However, the original name of the stele of the ancestral hall of Zhuge Marquis Wu, the Prime Minister of Shu, is often ignored.
篇9：用英语介绍成都导游词
Wuhou Temple is a memorial hall for Zhuge Liang, the Prime Minister of Shu Han in the Three Kingdoms. Zhuge Liang was granted the title of Marquis of Wuxiang before he died. After he died, he was named as Marquis of Wuxiang.
Wuhou Temple in Chengdu is the only temple in China where monarchs and ministers are worshipped together. It was built in 223 AD and Liu Bei was buried in Huiling. According to the Han system, there must be a temple beside the mausoleum, so after Liu Bei was buried in Huiling, the original temple for Liu Bei was built by the Shu Han Dynasty at that time. (the original temple is the temple for worshiping the emperor beside the mausoleum of the emperor. In Tang and Song Dynasties, people generally called Liu Bei's original temple the former master temple. )(because there are three main buildings in Chengdu Wuhou Temple, two of which have appeared after Liu Bei's death, so Liu Bei's burial in Huiling is the beginning of Chengdu Wuhou Temple. )In the northern and Southern Dynasties, people built Wuhou Temple not far from Huiling and Xianzhu temple. In the Tang and Song Dynasties, Wuhou Temple had become a famous historic site and tourist attraction. Du Fu left a description of “where to find the ancestral hall of prime minister, where to find the cypress outside Jinguan city”. In the Ming Dynasty, Zhu Chun, the king of Shu, thought that “the monarch and the minister should be integrated”, so he combined the Wuhou Temple with the former master's temple, which was called “Han zhaolie Temple”. In the late Ming Dynasty and the early Qing Dynasty, the temple was destroyed by war. The Wuhou Temple we see today was rebuilt on the old site in the 11th year of Kangxi (1672 A.D.).
Although the government has always called it the “Han zhaolie Temple”, a plaque of “Han zhaolie Temple” is also hung at the gate. But people are still used to call it Wuhou Temple. Why? In a poem written by Zou Lu during the period of the Republic of China, the reason is explained: “the great book on the gate, zhaolie temple, is the temple of marquis Wu. The reason is that the prime minister has made great achievements in the past. In other words, because of his great historical achievements, Zhuge Liang has more prestige in the hearts of the people than Liu Bei, so people can't care about the etiquette of the monarch and his ministers.
From the brief introduction to the left side of the gate and the schematic plan, we can see that the temple of marquis Wu is hidden in the dense green cypresses. The hall sits in the north and south, and is arranged on a central axis. It has five layers: the gate, the second gate, the hall of Liu Bei, the hall of passage, and the hall of Zhuge Liang. On the west side is the mausoleum of Liu Bei Huiling. There are 47 clay statues of historical figures of Shu Han in Qing Dynasty, more than 50 steles, more than 60 plaques and couplets, and more than 10 tripods, stoves, bells and drums. Therefore, to be exact, Wuhou Temple should be called the memorial hall of Shu Han monarchs and ministers. It is a museum for the study of Shu Han history.
篇10：用英语介绍成都导游词
Chengdu is a famous entertainment city. With the changes of the times, it also has a rapid development, and gradually become a modern city. However, in this city, there is still an ancient street Jinli.
Jinli is located in Wuhou District of Chengdu, next to Wuhou Temple. Koi is also the name of a kind of fish. The reason why Jinli is named Jinli is that the fish ponds in the old street are full of Koi. Whether it's day or night, it has its unique charm. You will involuntarily follow the crowd into the depths of Jinli to experience the beauty of this old street.
When you come to Jinli during the day, you need to experience the quiet. The weather in Jinli is generally colder. During the day, I walk slowly on the street, feeling the cool breeze and the charm of the ancient street. The carp in the fish pond also swim slowly. Sprinkle a handful of fish food, and the fish will come to grab food immediately. The strong one immediately grabs the front, the weak one is pressed down, and the lucky one grabs the food from the mouth of other weaker fish... You will laugh when you see this scene.
The night in Jinli is also beautiful. At this time, you have to feel the excitement. Looking east and looking west, this is the unified action of people on the street, because there are so many interesting and delicious things on the street! The lights are bright everywhere, especially at the Lantern Festival, there are all kinds of colorful lights at the door, which are extremely beautiful! There are not a few people who fall down because they are absorbed in watching the lights. All kinds of ancient dramas will also be performed on the stage in Jinli, which adds color to the word ”ancient“.
Over the years, Chengdu has changed with each passing day. Only this old street still tells the past. Its ancient charm will make people all over the world remember it, a resounding name - Jinli!
篇11：用英语介绍成都导游词
My friends, today we are going to visit Jinli, the closest place to romance. The tour time is about 2 hours. Please pay attention to personal and property safety during the tour. Now, please check the tour bus license plate and Xiao Zhang's mobile phone number again. If you have anything, please contact me in time. Jinli is Jinguan City, which later became the synonym of Chengdu. Li Shangyin, a famous poet, once wrote: when he was in Jinli temple, his father became more than a hater.
Jinli is restored by Wuhou Temple Museum in Chengdu. As a part of Wuhou Temple, it covers an area of more than 30000 square meters, with a construction area of more than 14000 square meters and a total length of 550 meters. It is a famous Pedestrian Commercial Street in Chengdu.
The layout of the ancient street is rigorous and orderly, with bars and entertainment area, Sichuan famous food and beverage area, mansion and inn area, as well as the exhibition and sales area of special tourist crafts in a well-organized way. Jinli was officially opened to the outside world in October 2004. The second phase of Jinli, an extension of Jinli, boldly introduced water flow into Jinli cycle, forming a new landscape of ”water bank Jinli“, and opened its business in January 2009. So far, Jinli ancient street, one of Chengdu's cultural business cards, has been upgraded in an all-round way. ”Worship Wuhou and soak Jinli“ has become one of the most appealing slogans of Chengdu tourism. In 2005, Jinli was selected as one of the ”commercial pedestrian streets in the top ten cities in China“. It is as famous as Wangfujing in Beijing, Jianghan Road in Wuhan, Jiefangbei in Chongqing and Heping Road in Tianjin. It is known as ”the first street in Xishu“ and ”the riverside map of Qingming Festival in Chengdu“. In 2006, Jinli was awarded ”national cultural industry demonstration base“ by the Ministry of culture.
It is said that Jinli used to be one of the oldest and most commercial streets in the history of Western Shu. It was famous throughout the country as early as the Qin, Han and Three Kingdoms periods. Today's Jinli, relying on the temple of marquis Wu, takes the spirit of Qin, Han and three kingdoms as its soul, the appearance of Ming and Qing customs as its appearance, and the folk customs and folk customs of Western Sichuan as its content, which expands the extension of the Three Kingdoms culture. This street concentrates the essence of Chengdu life: there are teahouses, taverns, restaurants, bars, theatrical stands, snacks, handicrafts and local specialties, which fully display the unique charm of the Three Kingdoms culture and Sichuan folk customs.
Compared with many domestic man-made landscapes, Jinli is completely grass-roots, local and homely. The shops sell chopsticks, tea, lanterns, silk quilts and local specialties. In the restaurant, Zhang Fei's beef, three cannons and Feichang powder are all aimed at the taste. They are not fancy, but they are economical. There are also handicrafts, such as making a clay figurine, turning a sugar painting, and buying a piece of paper-cut. All these are childlike things, which are both nostalgic and enjoyable. The colorful lanterns and covers on the street are popular, and the picture is lively. And the most eye-catching ones on the street are those Chengdu fans who are warmly admired. They are eating melon seeds, playing cards and drinking foreign wine in the bar, but they are speaking soft Chengdu dialect.
Chengdu people are playing and leisurely strolling in Jinli. Nostalgic people have an outlet for their feelings, and those who love to eat satisfy their appetite. Jinli presents the most real and warm scene in the world.
Jinli has a lot of local products which are hard to buy in Chengdu. For example, zhangfei beef, produced in Langzhong, Sichuan Province, is black in appearance and not very good in appearance. However, it is the natural color of beef inside. It is made of top-grade beef mixed with special spices and has a unique taste. Tangma cake, produced in Chongzhou, Sichuan Province, is yellow but not burnt, sweet but not greasy, crisp skin and crispy heart, sweet and dregs. In addition, there are three cannons, beef bean curd, Sanhe mud, sugar and oil fruit, urinating beef balls, stinky tofu, oil tea, beef coke cake, buckwheat noodles, bowl chicken and other snacks. Jinli is known as the ”closest place to romance“ in the city for its elegant pace of life. It is the spiritual post of urban leisure people and the charming block for experiencing fashion and leisure.
Well, having said so much, we have to rely on our personal experience to have a deeper feeling about Jinli. The rest of the time is up to you! We'll gather here in two hours. Hope you have a good time!
篇12：用英语介绍成都导游词
Ladies and gentlemen, this is Zhuge Liang hall. The lintels and pillars of the hall are covered with plaques and couplets left by predecessors. One of the most famous is a couplet hanging in the middle of Zhuge Liang's palace, which says, ”if you can work hard, you'll lose your mind. From ancient times, you know that soldiers are not belligerent; if you don't judge the situation, you'll be lenient and strict. Later, you have to think deeply about how to govern Shu.“. Lianwen was written by Zhao fan, a native of Jianchuan, Yunnan Province in the late Qing Dynasty.
The Shanglian said that Zhuge Liang was able to use the tactics of ”attacking the heart“ in fighting, such as making Meng Huo's heart full of admiration when he was in the southern expedition. In this way, he praised Zhuge Liang as a militarist who really knew how to fight with troops, not a warlike one.
The second couplet praises Zhuge Liang for his ability to judge the situation and formulate a lenient and strict law, which has achieved good results, and reminds those who later govern Sichuan to learn from it. This couplet makes an objective evaluation of Zhuge Liang's use of troops and administration, and puts forward two enlightening questions of ”attacking the heart“ and ”judging the situation“. It is the top grade of the couplets on the plaque of Wuhou Temple and one of the famous couplets in China.
In the hall of Zhuge Liang, there are statues of Zhuge Liang, his son and grandson. Zhuge Liang is like a man on a platform in the middle of the shrine. He has a feather fan and a silk scarf. He is wearing a golden robe. He is concerned about the country and the people, and has a deep and farsighted look, which shows the demeanor of a generation of Confucians. Zhuge Liang (181-234), who was born in Yinan, Shandong Province, was an outstanding statesman and militarist in Chinese history.
When he was young, he lived in seclusion in Longzhong, Xiangfan. Because of his intelligence, hard work and ambition, he got the reputation of ”Wolong“. At the request of Liu Bei, he went out of the mountain to help Liu Bei and founded Shu Han. After Liu Bei's death, he was entrusted with the important task of assisting his son, Liu Chan, to govern Shu for more than 20 years. He practiced enlightenment, gave strict rewards and punishments, selected talents and appointed talents, built water conservancy, developed production, marched south to central China, and attacked Qishan in the north. With loyalty, diligence, honesty and intelligence, he gained stability and prosperity in Shu. Chen Shou, a historian, commented that the state of Shu at that time had clear politics, honest and upright people, open fields, rich warehouses, and peaceful scenes everywhere. Due to overwork, he died in wuzhangyuan army at the age of 54. He was buried at the foot of Dingjun mountain in Mianxian County, Shaanxi Province.
Zhuge Liang has done a lot of good things in his life, such as being diligent, loving the people and being beneficial to social progress. After his death, people miss him very much and respect him very much for his spirit of devoting himself to his life. As a result, people built one Wuhou Temple after another to commemorate him, and worshipped him as a model of loyal officials, virtuous prime minister and the embodiment of wisdom.
Zhuge Zhan, the son of Zhuge Liang, and Zhuge Shang, the grandson of Zhuge Liang, led the Wei army to fight a decisive battle in Mianzhu when the Shu Han Dynasty was faced with survival. Finally, they died for their country because they were outnumbered.
There is a bronze drum in Zhuge Liang hall, which is a cultural relic in the fifth and sixth centuries. Bronze drum, originally a cooking utensil of southwest ethnic minorities in ancient times, has appeared as early as the spring and Autumn period and the Warring States period. Later, the bronze drum gradually evolved into a kind of musical instrument and ritual instrument, which was used in assembly and celebration, and also a symbol of wealth and power. It is said that Zhuge Liang used this kind of bronze drum during his southern expedition. It was used for cooking in the daytime and for alarming in the evening. Therefore, it is also called Zhuge drum.
In the wing rooms on both sides outside the hall, there are woodcut poems on display. In the west chamber, there are 12 pieces of calligraphy by Mao Zedong, Dong Biwu, Zhang Aiping, Fang Yi, Zhou Gucheng, Chu Tunan, Liang Shuming, etc., while in the East chamber, there are wood carvings of Longzhong DUI and Chushi Biao.
Sanyi Temple:
After leaving Zhuge Liang hall, there is Sanyi temple. Sanyi Temple got its name from offering sacrifices to Liu, Guan and Zhang, who were the three members of Taoyuan. The temple was built in the reign of Emperor Kangxi of the Qing Dynasty, with four entrances and five halls. Now only worship hall, main hall, into a courtyard layout. Sanyi temple was originally located in Tidu street in the center of the city. Due to the need of urban construction, it was moved here in 1997. In the relocation project, in strict accordance with the national regulations on cultural relics, the original building components were removed by serial number and transported to the new site to be built according to the serial number to restore the original appearance.
The restored Sanyi temple is towering, and its architectural form is the same as that of Liubei hall. The roof is a single eaves hard hill type, covered by green simple tiles. The structure is a wood stone structure, with a beam lifting wooden frame, and the columns and column bases are made of stone. There are 40 round columns carved from the whole stone, with a diameter of 0.5m. There are 24 stone pillars engraved with 12 couplets in gold. In the main hall, clay statues of Liu, Guan and Zhang are restored, and ten stone line drawings of the story of the three kingdoms are added to the two walls of the gallery. The painting is taken from the Ming Dynasty version of the romance of the Three Kingdoms. The contents of these paintings are: three marriages in Taoyuan, three heroes fighting against Lu Bu, Zhang Fei whipping the governor post, Liu Bei recruiting relatives, Guan Gong scraping bone to cure poison and so on.
Tomb of Liu Bei:
From Sanyi temple to the west, cross the small bridge, pass Guihe building and Qinting, and enter the Red Wall Road surrounded by green bamboo. At the end of the road is Liu Bei's tomb. The earth mound of Liu Bei's tomb is 12 meters high and covered with green shade. There is a 180 meter long brick wall surrounding the mausoleum. There are steles and halls in front of the mausoleum.
After Liu Bei failed to defeat Wu, he retired to Baidi city and died in April 223. In May, Zhuge Liang Fuling pivot back to Chengdu, August burial, tomb known as ”Huiling.“. Huiling is a tomb for husband and wife. At the same time, Mrs. Gan, the mother of empress Liu Chan, was buried. Twenty years later, another wife of Liu Bei, empress Mu Wu, died and was also buried here. This tomb is more than 1700 years ago. No theft has been found. The situation in the tomb is unknown.
There is a story in Youyang Zazu written by Duan Chengshi in the Tang Dynasty: a group of tomb robbers entered Liu Bei's Huiling mausoleum on a dark night. When they entered the tomb, they saw that the lights were shining inside. Liu Bei was playing chess with one man and ten warriors stood by one side. Scared out of their wits, the thieves knelt down one after another to beg for mercy. Liu Bei waved to the guards to give them jade belts and Qiongjiang. They drank the jade paste, tied the jade belt, and climbed out of the hole in panic. Looking back, the hole was naturally sealed. The jade belt became a big snake, wrapped around their waist, and the jade paste became glue and stuck to their mouth. It is said that no one dares to touch Liu Bei's tomb any more.
Out of Liu Bei's tomb, we come to the newly built exhibition area of ”Three Kingdoms culture“. The exhibition area consists of exhibition hall and external environment. The external environment is composed of gods and beasts Tianlu, dispelling evil spirits, remnant pillars of the Han Palace, soldiers fighting for the country, stone inscriptions on the remnant wall, Linjiang immortal by Yang Shen, and preface of stone inscriptions. The exhibition hall is divided into five exhibition areas, which are war situation, a glimpse of agriculture and mulberry, folk customs, art and forest, and the lingering charm of Liufeng. There are hundreds of cultural relics, materials and pictures on display. The content is rich and colorful, the artistic technique is vivid and intuitive, and it is a combination of knowledge and appreciation, so it is worth looking at.
After seeing the exhibition, you can also visit the ”listening Oriole hall“ by the way. It's a small courtyard. The bonsai in it is worth watching. The temporary exhibitions also have cultural taste.
篇13：用日语介绍北京导游词
故宫の日语导游词
今日はこれから故宫へご案内しますが、少し时间がございますので、故宫のあらましをご说明したいと思います。
故宫とはその字が表すとおり古い宫殿という意味で、中国の明、清両王朝の皇居として建造されたものです。当时は紫禁城と言っていましたが、1925年に故宫博物院と改められ、一般に公开されるようになりました。
紫禁城の造営を命じたのは、明の第三代皇帝朱てい、つまり永楽皇帝です。今から6前の14に造営が始まり、约间かかり、14に落成しました。その后、何回も立て直されたり、増筑されたりして、いまの规模になりましたが、ここで明、清両代に渡って24人の皇帝が全中国を支配していたのです。
紫禁城は昔の北京城、つまり北京の町の中央线上にその中心が来るように建てられていて、その建筑规模は世界に并ぶものがありません。しかも、中国において、最も完全に保存されている最大の古代建筑群です。紫禁城は长方形で、南北960メートル、东西750メートル、敷地面积は72万平方メートル、建筑面积は15万平方メートルにも及んでいます。こんな広大な敷地の中を详しくご覧になるのでしたら一周间ぐらい必要だそうです。そこで今日は特徴あるところだけに触れ、実际に见学なさるときにまたその场でご案内したいと思います。
まず、故宫を见学されるとどなたでもすぐ気付かれることは、一种独特な色彩であることでしょう。宫殿全体を取りまいているのはベンガラ色の壁です。この色は単に美しいためばかりでなく、古来中国では尊さと豊かさを表すものとして、用いられてきました。また、夥しい建筑群の屋根は黄、绿、黒、紫などの瑠璃瓦が使われています。黄色は中国の五行学说の中で中央の方角を代表しているので、皇帝の色とされてきました。ですから、皇帝の住まい及び政务を司る所の建物には全て黄色の瑠璃瓦を用いたわけです。皇子たちの住まいには黄色に准ずる色として绿色の瑠璃瓦を用いていますし、文渊阁と名づけられている书物を入れておく仓库は、黒色の瑠璃瓦になっています。なぜ黒を使ったかと申しますと、黒は水を代表する色であったので、书库を火灾から守るためだそうです。さて、故宫の中へ一歩足を踏み入れられますと、どなたもどのぐらいの部屋があるのだろうかと思いになることでしょう。実は、この広大な敷地の中には9000间以上あるといわれています。最もこの「间」というのは柱と柱の间を表す言い方ですので、実际にはずっと少なくなるわけですが、それにしても夥しい数に违いありません。数え上げるのに相当な时间と根気がいるのです。
次にこれらの建物がどのように使用されてきたかについて、ざっとご说明したいと思います。故宫は主に前朝と内廷に分かれており、前朝は皇帝が厳かな式典を行い、権力を示す场所です。「太和殿」、「中和殿」、「保和殿」という三大宫殿を中心として、「文华殿」、「武英殿」が両侧に立っています。内廷のほうは「乾清宫」、「交泰殿」、「坤宁宫」及び「御花园」を中心に、両侧には东西六宫などの宫殿が立ち并んでいます。「乾清宫」は皇帝が住んでいた所ですが、ここも日常の政务が执り行われたり、大臣、部下や外国からの使节と会见する场所として使われていました。「交泰殿」は皇后の诞生祝いの仪式を挙げる所ですが、ここには皇帝の権威を表す25个の玉玺、つまり印鉴が纳められていました。「坤宁宫」は皇后の住まいとして使われた所です。「御花园」はもちろん皇帝、皇后、妃、皇子たちの憩いの场所。
篇14：用英语介绍成都导游词
The Tang stele standing in the pavilion inside the gate of Wuhou Temple, also known as three unique steles, is one of the oldest steles in Chengdu. When it comes to its reputation and influence in later generations, this monument is second to none in Chengdu.
Sanjue stele the original name of the Tang stele is the stele of the ancestral hall of marquis Wu of Zhuge, the Prime Minister of the Han Dynasty, which was established in the fourth year of Yuanhe (809) of emperor Xianzong of the Tang Dynasty. The height, width and thickness of the body and cap are 367cm, 95cm and 25cm respectively. The cloud pattern carving of the stele cap has the artistic characteristics of stone carving in the Tang Dynasty. The stone is gorge stone. There are 22 lines of inscriptions, each of which is about 50 words in regular script.
Pei Du, the author of the inscription, was a famous politician in the middle and late Tang Dynasty. In the second year of Yuanhe (807) in Chengdu, Wu Yuanheng, the Prime Minister of the Tang Dynasty, was appointed governor of Sichuan Province in Jiannan, and Pei Du was accompanied by his staff. Pei dujiu wanted to write an article to praise Zhuge Liang. After visiting Wuhou Temple in Chengdu, he wrote this inscription with admiration. The content of the inscription is divided into preface and inscription. At the beginning of the preface, Pei Du praised Zhuge Liang as a rare feudal statesman who had the talent of founding a country, the skill of governing people, the integrity of serving the king and the way of establishing himself. Feidu said that when there was chaos in the late Han Dynasty and there were disputes among the heroes, the scholars rushed to offer advice for fear of failure. Zhuge Liang was alone in Longzhong, and he was in charge of music. Once Liu Bei looked at it three times, Zhuge Liang decided the opportunity by one word in Longzhong Dui, and established the grand plan of tripartite confrontation.
Fei Du praised Zhuge Liang for abolishing the bad government in the late Han Dynasty, enforcing the law fairly, appointing people on the basis of merit, ruling the country and stressing martial arts. He believed that under the painstaking governance of Zhuge Liang, the humble [Shu Han] government was unified and the morality was popular. He became a rich country and had a strong army capable of fighting. Fei Du refutes Cui Hao and others evaluation of Zhuge Liang and thinks that we cant judge the hero by success or failure. If God gives Zhuge Liang some more time, he will accomplish the great cause of unifying the country. The inscription is in parallel style, with 64 sentences in four characters. It compares Zhuge Liang with Yiyin, Jiang Shang, Xiao He and Zhang Liang, and praises his immortal achievements. Finally, the inscription praises Zhuge Liangs merits and virtues, which are as high as mountains and flowing water. They exist between heaven and earth and in the hearts of the people in Shu.
Inscriptions: in the past, I was the first lord. I thought of opening up the territory of Xinjiang. I was busy and depended on it. Heroes had no help. So I got Marquis Wu and settled the land of Shu first. Moral City, etiquette. Warm things like spring, people like God. Work without complaint, use with ethics. Rou Sheng manluo, Pu Dun Weibin, photos of Weiwei living in Huairen. The Central Plains food, unexpected not, in order to win, allow to reach its extreme. Heaven did not regret the disaster, the public life is not fruit, Han Zuo its death, will fall in the star. The flag against the drum, still go Sima, dead and can do, when the small world.
His father was still in the Zhou Dynasty, a Heng was in charge of the Shang Dynasty, and he was also in charge of Yan Dynasty. He was born in the Han Dynasty and Xiao Zhang was in charge of the Han Dynasty. Whine: the intrigue works hard, and the ambition is suppressed. I feel the pain of banishment, or cry or die. There are many different paths. Based on loyalty and forgiveness, who is not happy? If you are not sincere, you will be loyal. The ancient cypress is dense, and the temple is deep. It does not offer sacrifices to the gods, but beg for the present. If there is a light, it will not run fast. The wind of Shu, the heart of Shu people, Jingjiang Qingbo, Yulei juncen, into the sea, the sky, know Gongde sound. In the fourth year of Yuanhe, he was born in Jichou on February 29.
Liu gongchuo, the elixir of calligraphy, is the elder brother of Liu Gongquan, the founder of Liuti in regular script. Later generations praised Tang steles for their vigorous writing, beautiful words and precise meaning, and vigorous and strict calligraphy. In addition, Lu Jian, the engraver, is very strict in the cutting technique, so the stele has the reputation of three unique. For example, Ronghua, governor of Sichuan in the Ming Dynasty, wrote a postscript on the front of the stele, saying that feiwen and Liushu were two unique records of sincerity, which could be compared with Zhuges merits and virtues. After that, people used to call it three unique steles.
For more than a thousand years, the Tang stele has been damaged with the passage of time, but the erosion is not large. Up to now, most of the inscriptions are still neat and basically intact. Due to the stone quality, climate and other reasons, there are few ancient steles preserved in Chengdu, which is the only complete Tang Dynasty stele in Chengdu.
Among the 53 existing steles in Wuhou Temple in Chengdu, the most famous one is the Tang stele, which is known as three unique steles. The inscription, standing in 809 A.D., is 3-67 meters high, 0-95 meters wide and 0-25 meters thick; The inscription was written by Pei Du, a former censor and prime minister. It was written by Liu gongchuo, a former Minister of the Ministry of official and the Ministry of military affairs, and also the brother of Liu Gongquan, a famous calligrapher. It was carved by Lu Jian, a famous craftsman in Sichuan at that time. The article, calligraphy and engraving are all excellent, so it is called three unique steles. However, the original name of the stele of the ancestral hall of Zhuge Marquis Wu, the Prime Minister of Shu, is often ignored.
篇15：用英语介绍成都导游词
My friends, today we are going to visit Jinli, the closest place to romance. The tour time is about 2 hours. Please pay attention to personal and property safety during the tour. Now, please check the tour bus license plate and Xiao Zhangs mobile phone number again. If you have anything, please contact me in time. Jinli is Jinguan City, which later became the synonym of Chengdu. Li Shangyin, a famous poet, once wrote: when he was in Jinli temple, his father became more than a hater.
Jinli is restored by Wuhou Temple Museum in Chengdu. As a part of Wuhou Temple, it covers an area of more than 30000 square meters, with a construction area of more than 14000 square meters and a total length of 550 meters. It is a famous Pedestrian Commercial Street in Chengdu.
The layout of the ancient street is rigorous and orderly, with bars and entertainment area, Sichuan famous food and beverage area, mansion and inn area, as well as the exhibition and sales area of special tourist crafts in a well-organized way. Jinli was officially opened to the outside world in October 20xx. The second phase of Jinli, an extension of Jinli, boldly introduced water flow into Jinli cycle, forming a new landscape of water bank Jinli, and opened its business in January 20xx. So far, Jinli ancient street, one of Chengdus cultural business cards, has been upgraded in an all-round way. Worship Wuhou and soak Jinli has become one of the most appealing slogans of Chengdu tourism. In 20xx, Jinli was selected as one of the commercial pedestrian streets in the top ten cities in China. It is as famous as Wangfujing in Beijing, Jianghan Road in Wuhan, Jiefangbei in Chongqing and Heping Road in Tianjin. It is known as the first street in Xishu and the riverside map of Qingming Festival in Chengdu. In 20xx, Jinli was awarded national cultural industry demonstration base by the Ministry of culture.
It is said that Jinli used to be one of the oldest and most commercial streets in the history of Western Shu. It was famous throughout the country as early as the Qin, Han and Three Kingdoms periods. Todays Jinli, relying on the temple of marquis Wu, takes the spirit of Qin, Han and three kingdoms as its soul, the appearance of Ming and Qing customs as its appearance, and the folk customs and folk customs of Western Sichuan as its content, which expands the extension of the Three Kingdoms culture. This street concentrates the essence of Chengdu life: there are teahouses, taverns, restaurants, bars, theatrical stands, snacks, handicrafts and local specialties, which fully display the unique charm of the Three Kingdoms culture and Sichuan folk customs.
Compared with many domestic man-made landscapes, Jinli is
completely grass-roots, local and homely. The shops sell chopsticks, tea, lanterns, silk quilts and local specialties. In the restaurant, Zhang Feis beef, three cannons and Feichang powder are all aimed at the taste. They are not fancy, but they are economical. There are also handicrafts, such as making a clay figurine, turning a sugar painting, and buying a piece of paper-cut. All these are childlike things, which are both nostalgic and enjoyable. The colorful lanterns and covers on the street are popular, and the picture is lively. And the most eye-catching ones on the street are those Chengdu fans who are warmly admired. They are eating melon seeds, playing cards and drinking foreign wine in the bar, but they are speaking soft Chengdu dialect.
Chengdu people are playing and leisurely strolling in Jinli. Nostalgic people have an outlet for their feelings, and those who love to eat satisfy their appetite. Jinli presents the most real and warm scene in the world.
Jinli has a lot of local products which are hard to buy in Chengdu. For example, zhangfei beef, produced in Langzhong, Sichuan Province, is black in appearance and not very good in appearance. However, it is the natural color of beef inside. It is made of top-grade beef mixed with special spices and has a unique taste. Tangma cake, produced in Chongzhou, Sichuan Province, is yellow but not burnt, sweet but not greasy, crisp skin and crispy heart, sweet and dregs. In addition, there are three cannons, beef bean curd, Sanhe mud, sugar and oil fruit, urinating beef balls, stinky tofu, oil tea, beef coke cake, buckwheat noodles, bowl chicken and other snacks. Jinli is known as the closest place to romance in the city for its elegant pace of life. It is the spiritual post of urban leisure people and the charming block for experiencing fashion and leisure.
Well, having said so much, we have to rely on our personal
experience to have a deeper feeling about Jinli. The rest of the time is up to you! Well gather here in two hours. Hope you have a good time!
篇16：用英语介绍成都导游词
Ladies and gentlemen, this is Zhuge Liang hall. The lintels and pillars of the hall are covered with plaques and couplets left by predecessors. One of the most famous is a couplet hanging in the middle of Zhuge Liangs palace, which says, if you can work hard, youll lose your mind. From ancient times, you know that soldiers are not belligerent; if you dont judge the situation, youll be lenient and strict. Later, you have to think deeply about how to govern Shu.. Lianwen was written by Zhao fan, a native of Jianchuan, Yunnan Province in the late Qing Dynasty.
The Shanglian said that Zhuge Liang was able to use the tactics of attacking the heart in fighting, such as making Meng Huos heart full of admiration when he was in the southern expedition. In this way, he praised Zhuge Liang as a militarist who really knew how to fight with troops, not a warlike one.
The second couplet praises Zhuge Liang for his ability to judge the situation and formulate a lenient and strict law, which has achieved good results, and reminds those who later govern Sichuan to learn from it. This couplet makes an objective evaluation of Zhuge Liangs use of troops and administration, and puts forward two enlightening questions of attacking the heart and judging the situation. It is the top grade of the couplets on the plaque of Wuhou Temple and one of the famous couplets in China.
In the hall of Zhuge Liang, there are statues of Zhuge Liang, his son and grandson. Zhuge Liang is like a man on a platform in the middle of the shrine. He has a feather fan and a silk scarf. He is wearing a golden robe. He is concerned about the country and the people, and has a deep and farsighted look, which shows the demeanor of a generation of Confucians. Zhuge Liang (181-234), who was born in Yinan, Shandong Province, was an outstanding statesman and militarist in Chinese history.
When he was young, he lived in seclusion in Longzhong, Xiangfan. Because of his intelligence, hard work and ambition, he got the reputation of Wolong. At the request of Liu Bei, he went out of the mountain to help Liu Bei and founded Shu Han. After Liu Beis death, he was entrusted with the important task of assisting his son, Liu Chan, to govern Shu for more than 20 years. He practiced enlightenment, gave strict rewards and punishments, selected talents and appointed talents, built water conservancy, developed production, marched south to central China, and attacked Qishan in the north. With loyalty, diligence, honesty and intelligence, he gained stability and prosperity in Shu. Chen Shou, a istorian, commented that the state of Shu at that time had clear politics, honest and upright people, open fields, rich warehouses, and peaceful scenes everywhere. Due to overwork, he died in wuzhangyuan army at the age of 54. He was buried at the foot of Dingjun mountain in Mianxian County, Shaanxi Province.
Zhuge Liang has done a lot of good things in his life, such as being diligent, loving the people and being beneficial to social progress. After his death, people miss him very much and respect him very much for his spirit of devoting himself to his life. As a result, people built one Wuhou Temple after another to commemorate him, and worshipped him as a model of loyal officials, virtuous prime minister and the embodiment of wisdom.
Zhuge Zhan, the son of Zhuge Liang, and Zhuge Shang, the
grandson of Zhuge Liang, led the Wei army to fight a decisive battle in Mianzhu when the Shu Han Dynasty was faced with survival. Finally, they died for their country because they were outnumbered.
There is a bronze drum in Zhuge Liang hall, which is a cultural relic in the fifth and sixth centuries. Bronze drum, originally a cooking utensil of southwest ethnic minorities in ancient times, has appeared as early as the spring and Autumn period and the Warring States period. Later, the bronze drum gradually evolved into a kind of musical instrument and ritual instrument, which was used in assembly and celebration, and also a symbol of wealth and power. It is said that Zhuge Liang used this kind of bronze drum during his southern expedition. It was used for cooking in the daytime and for alarming in the evening. Therefore, it is also called Zhuge drum.
In the wing rooms on both sides outside the hall, there are woodcut poems on display. In the west chamber, there are 12 pieces of calligraphy by Mao, Dong Biwu, Zhang Aiping, Fang Yi, Zhou Gucheng, Chu Tunan, Liang Shuming, etc., while in the East chamber, there are wood carvings of Longzhong DUI and Chushi Biao.
Sanyi Temple:
After leaving Zhuge Liang hall, there is Sanyi temple. Sanyi Temple got its name from offering sacrifices to Liu, Guan and Zhang, who were the three members of Taoyuan. The temple was built in the reign of Emperor Kangxi of the Qing Dynasty, with four entrances and five halls. Now only worship hall, main hall, into a courtyard layout. Sanyi temple was originally located in Tidu street in the center of the city. Due to the need of urban construction, it was moved here in 1997. In the relocation project, in strict accordance with the national regulations on cultural relics, the original building components were removed by serial number and transported to the new site to be built according to the serial number to restore the original appearance.
The restored Sanyi temple is towering, and its architectural form is the same as that of Liubei hall. The roof is a single eaves hard hill type, covered by green simple tiles. The structure is a wood stone structure, with a beam lifting wooden frame, and the columns and column bases are made of stone. There are 40 round columns carved from the whole stone, with a diameter of 0.5m. There are 24 stone pillars engraved with 12 couplets in gold. In the main hall, clay statues of Liu, Guan and Zhang are restored, and ten stone line drawings of the story of the three kingdoms are added to the two walls of the gallery. The painting is taken from the Ming Dynasty version of the romance of the Three Kingdoms. The contents of these paintings are: three marriages in Taoyuan, three heroes fighting against Lu Bu, Zhang Fei whipping the governor post, Liu Bei recruiting relatives, Guan Gong scraping bone to cure poison and so on.
Tomb of Liu Bei:
From Sanyi temple to the west, cross the small bridge, pass Guihe building and Qinting, and enter the Red Wall Road surrounded by green bamboo. At the end of the road is Liu Beis tomb. The earth mound of Liu Beis tomb is 12 meters high and covered with green shade. There is a 180 meter long brick wall surrounding the mausoleum. There are steles and halls in front of the mausoleum.
After Liu Bei failed to defeat Wu, he retired to Baidi city and died in April 223. In May, Zhuge Liang Fuling pivot back to Chengdu, August burial, tomb known as Huiling.. Huiling is a tomb for husband and wife. At the same time, Mrs. Gan, the mother of empress Liu Chan, was buried. Twenty years later, another wife of Liu Bei, empress Mu Wu, died and was also buried here. This tomb is more than 1700 years ago. No theft has been found. The situation in the tomb is unknown.
There is a story in Youyang Zazu written by Duan Chengshi in the Tang Dynasty: a group of tomb robbers entered Liu Beis Huiling mausoleum on a dark night. When they entered the tomb, they saw that the lights were shining inside. Liu Bei was playing chess with one man and ten warriors stood by one side. Scared out of their wits, the thieves knelt down one after another to beg for mercy. Liu Bei waved to the guards to give them jade belts and Qiongjiang. They drank the jade paste, tied the jade belt, and climbed out of the hole in panic. Looking back, the hole was naturally sealed. The jade belt became a big snake, wrapped around their waist, and the jade paste became glue and stuck to their mouth. It is said that no one dares to touch Liu Beis tomb any more.
Out of Liu Beis tomb, we come to the newly built exhibition area of Three Kingdoms culture. The exhibition area consists of exhibition hall and external environment. The external environment is composed of gods and beasts Tianlu, dispelling evil spirits, remnant pillars of the Han Palace, soldiers fighting for the country, stone inscriptions on the remnant wall, Linjiang immortal by Yang Shen, and preface of stone inscriptions. The exhibition hall is divided into five exhibition areas, which are war situation, a glimpse of agriculture and mulberry, folk customs, art and forest, and the lingering charm of Liufeng. There are hundreds of cultural relics, materials and pictures on display. The content is rich and colorful, the artistic technique is vivid and intuitive, and it is a combination of knowledge and appreciation, so it is worth looking at.
After seeing the exhibition, you can also visit the listening Oriole hall by the way. Its a small courtyard. The bonsai in it is worth watching. The temporary exhibitions also have cultural taste.
篇17：用英语介绍成都导游词
Wuhou Temple is a memorial hall for Zhuge Liang, the Prime Minister of Shu Han in the Three Kingdoms. Zhuge Liang was granted the title of Marquis of Wuxiang before he died. After he died, he was named as Marquis of Wuxiang.
Wuhou Temple in Chengdu is the only temple in China where
monarchs and ministers are worshipped together. It was built in 223 AD and Liu Bei was buried in Huiling. According to the Han system, there must be a temple beside the mausoleum, so after Liu Bei was buried in Huiling, the original temple for Liu Bei was built by the Shu Han Dynasty at that time. (the original temple is the temple for worshiping the emperor beside the mausoleum of the emperor. In Tang and Song Dynasties, people generally called Liu Beis original temple the former master temple. )(because there are three main buildings in Chengdu Wuhou Temple, two of which have appeared after Liu Beis death, so Liu Beis burial in Huiling is the beginning of Chengdu Wuhou Temple. )In the northern and Southern Dynasties, people built Wuhou Temple not far from Huiling and Xianzhu temple. In the Tang and Song Dynasties, Wuhou Temple had become a famous historic site and tourist attraction. Du Fu left a description of where to find the ancestral hall of prime minister, where to find the cypress outside Jinguan city. In the Ming Dynasty, Zhu Chun, the king of Shu, thought that the monarch and the minister should be integrated, so he combined the Wuhou Temple with the former masters temple, which was called Han zhaolie Temple. In the late Ming Dynasty and the early Qing Dynasty, the temple was destroyed by war. The Wuhou Temple we see today was rebuilt on the old site in the 11th year of Kangxi (1672 A.D.).
Although the government has always called it the Han zhaolie Temple, a plaque of Han zhaolie Temple is also hung at the gate. But people are still used to call it Wuhou Temple. Why? In a poem written by Zou Lu during the period of the Republic of China, the reason is explained: the great book on the gate, zhaolie temple, is the temple of marquis Wu. The reason is that the prime minister has made great achievements in the past. In other words, because of his great historical achievements, Zhuge Liang has more prestige in the hearts of the people than Liu Bei, so people cant care about the etiquette of the monarch and his ministers.
From the brief introduction to the left side of the gate and the
schematic plan, we can see that the temple of marquis Wu is hidden in the dense green cypresses. The hall sits in the north and south, and is arranged on a central axis. It has five layers: the gate, the second gate, the hall of Liu Bei, the hall of passage, and the hall of Zhuge Liang. On the west side is the mausoleum of Liu Bei Huiling. There are 47 clay statues of historical figures of Shu Han in Qing Dynasty, more than 50 steles, more than 60 plaques and couplets, and more than 10 tripods, stoves, bells and drums. Therefore, to be exact, Wuhou Temple should be called the memorial hall of Shu Han monarchs and ministers. It is a museum for the study of Shu Han history.
篇18：五年级用导游词介绍秦兵马俑
各位游客，
大家好！欢迎大家来到秦兵马俑景区观光游览，今天，我有幸陪同大家一起参观，我姓梁，大家可以叫我小梁，希望大家能玩得开心哦！
游客们，我们现在来到了秦兵马俑坑，它是秦始皇的陪葬坑，由一号、二号、三号坑组成。今已建成博物馆。兵马俑排列成阵，气势壮观。兵马俑分将军俑、骑兵俑、武士俑、陶马等。馆内还展出了大型彩绘铜车马。被称为世界第八大奇迹的秦兵马俑展示了古长安往日的辉煌。
你们知道吗？在三个俑坑中，一号坑是最大，东西长230米，南北宽62米，总面积14260平方米。坑里的兵马俑当然也最多，将近六千个呢！大家请抬头看，上面已经盖起了一座巨大的长方形大厅。当我们走进大厅，站在高处鸟瞰时，坑里的兵马俑一行行、一列列，十分平整。
大家请看，前面的就是将军俑，他身材魁梧，头上戴着鹖冠，身上穿着铠甲，手里握着宝剑，昂首挺胸。一看那神态自若的样子就知道久经沙场，重任在肩的大将。这就是二号坑。
接下来，我们来到了三号坑。这个俑坑是面积最小，内涵最少，但地位最重要，统帅1，2号坑军阵的指挥部。现在我们来里面参观。3号兵马俑坑是面积仅有524平方米，宽17.6米，南北长21.4米，呈凹字形。
今天，我就介绍到这里，提醒大家一定要注意安全，不要乱刻乱画，不要乱扔垃圾，做一个文明游客，祝大家旅途愉快，再见！
篇19：常用导游词介绍
各位团友,现在我们来到的地方,50多年前是新四军江南指挥部所在地.这座院叫姚家大宅,连同后面的私家花园,占地面积30多亩,距今已有300多年历史。
姚家大院是浙西山区至今保存最为完整、规模最大、内涵丰富的山区地方，庄园特色建筑之一。始建于清末民初，历时20年时间完成，占地面积40余亩，房屋建筑达到目230余间，房与房之间各立门户，相对独立，但各部门又都有巷、道及廊庑相通,有分有合,错落有致,建筑风格统一,后历经战乱,火灾土改拆迁,姚家大园已“存屋无几”仅存清代建筑二幢，整座庄园的围墙采用卵石叠筑以予围护，围墙开有大小门，各门道均用卵石铺就。正园门位于南墙偏西处，门外两侧设有上马石、抱鼓石，并置旗杆石，大门东侧设有岗楼，站在岗楼上整座庄园可尽致眼底，院内有庭院，正厅，过厅及后楼、厢房，捅道等建筑，每座建筑均用卵石叠筑高大厚实的土封火墙相隔，防火措施考虑得非常周密。
姚家大院，整体外围都很简朴，往往貌不惊人，入院之后，方觉奇妙无穷，由平常而至非凡，这才是藏巧于内的手段，木雕刻、青砖雕刻江南习见之贴面装饰，质地细腻，线条挺括，雕琢精致，图案为兽、人物、花鸟之类吉祥物，反映了民间传统的审美情趣。
姚家大院主楼五开间二层楼前后的须弥座花坛一座。前进、正厅间驾八桁重檐廊，楼上明间设柱，柱间设边框，边框内用长条形木板密排成板墙，置有简单的开花板，正面置窗，式样简朴，沿进深方向柱间架承重梁，梁上沿进深方向置有搁栅，搁栅用小杉木条形木板密封而不见搁栅。卷棚式轩廊与干梁及牛腿有较简单的雕饰。楼上天井四周设卷棚式环廊，并置透空栏杆，每开间两端度设望柱，间有蜀柱，用寻杖、盆唇、地狱并与望柱，蜀柱构成栏杆三青架楼下天井周围檐柱均有牛腿装修，后进间驾八桁五柱，结构与前进基本相同。
好!谢谢各位游客!请大家过来参观，请大家猜猜这小地窖，旧时地主用它来隐藏什么宝贝之物呢?对!它是姚家大院的地下保险柜，当年姚家兴旺时家奴仆人保镖达一百人之多，大部分家仆人是山区穷人家出生，从小因生活所迫，卖给了姚家，每人都有一份“卖身契约”藏在了这里，另有姚家山林，良田有土地证，少量银票一并隐藏其中。还有部分清朝年间名贵书画真迹及唐、宋时年间古书籍隐藏其内。该地窖“保险柜”。上面地坪用砖窑烧制的青方砖铺就，方砖之下，又瓦体铺垫，“地窖”下铺着一尺多厚的细纱，故地下潮气无法上升，虽因为水、火、虫子、线条、时间等等，到现在仍干燥通风。
好!各位游客，请随我到这边!这幢卵石风火墙，为整个主楼增色不少。我们到此处，石刚水柔，立则花树纷披，蹲则洗手足灌足，最能领略唐代于良支诗：“春山多胜事，赏玩夜忘归，掬水月在手，弄花香满衣。”的意境。
朋友们!让我们体验一下姚家大院清幽古朴之趣，古树花竹之美吧!据年过八、九十岁当地老者回忆，姚家大院，园有古木数百株。若仰若覆，堂榭之风，昂然耸峙而苍翠蓊郁者百年物也。朋友们，看!古朴树落叶后露出稠密的分枝是那么的非同一般，让我们来抚玩一番。人生短暂，对老树盘根错节，虬枝屈曲，筋骨抖擞，老而弥健的体态，最能令我们肃然起敬。古树见证着姚家大院的漫长岁月。
这里是姚家大院的护院房，现改为茶艺坊。中国是茶的故乡，在3000多年前我国古人已开始栽培和利用茶树。中国人烟、酒、茶不分家，但最终陪伴您走完人生的肯定是茶。安吉白茶。传说：几千年前杭州西湖边的白娘娘为救许仙，到南方仙境寻得仙草时，途经安吉上空不慎失落了一株长成现在的“白茶王”。安吉白茶特性，一芽二叶，叶张玉台、葱脉翠绿，外形俊秀的白茶与众不同，其滋味鲜爽甘醇，汤色鹅黄，清香满溢。朋友们，何不来品一杯正宗的安吉白茶。杯中升腾的茶烟，使人追思誓去的情怀。一杯香茗写尽五千年的春秋，人生与茶常相随，恬淡宁静保太平。心中欲火中烧，可用茶做良药，脚底生风活百岁，草中之英日日随。人生何处不相逢，一世情缘系茗心……姚家大院即将开发“茶宴”，有红茶陈皮牛肉、鲜茶腰果、茶酒醉白肉、沙茶排骨、茶家春运、毛峰熏鸭等30多道茶宴系列佳肴。
好!这边是姚家的西楼，俗称小姐楼，三开间两厢房三进深七桁二层楼，通面阔10.5米，其中明间3.95米，东次间3.25米，西次间2.85米，通进深10.33米，楼梯设于西厢房，梁架结构与主楼基本相同，但楼下置地袱，并铺设木地搁板，每开间之间均有边框式木板作隔断，并设木板门及对开冰裂纹隔扇窗，两厢房间为石砌天井。各位游客!小姐楼最大的特点是整个内结构宛如一个“女”字形。
各位游客：现在我来到方竹观赏园，这块土地是方竹生长的原土地，亭亭玉立，清秀俊逸，四季常青的方竹。“未出土时便有节，及凌云处尚滤心”。方竹顾名思义呈正方形，自古以来被视为熬霜斗雪的战士，高风亮节的君子，中国是世界上竹类资源最丰富的国家，共有500多个品种，拥有竹林面积500多万公顷……(导游介绍方竹休闲的内容)，安吉人还从一直被废弃的竹叶中提炼出能够使人延年益寿的黄酮，并用它来制药、酿酒和生产饮料，其中黄酮加工的啤酒和饮料还被指定为第13届亚运会中国运动员的专用饮料。
好!各位游客请这边走。这幢房间叫“小姐楼”这是一口古井亦称“小姐井，胭脂井”。姚家大院驻地的村庄叫“井村”，别名景村，山河东北2公里，光绪编制的《孝丰县志》记载：“移风乡巽图景村庄，一作井川庄，距城三十里。”相传在清代，这里人口众多，曾有72口井，故得名井村，又村址依山傍水，风景秀丽，亦称景村，井村行政村驻地种植稻麦，出产毛竹、茶叶兼养蚕。
姚家小姐用这井水沐浴洗漱，使姚家小姐皮肤白嫩，每天早辰起床先喝一口井水，可常保青春，养颜瘦身。姚家小姐每遇到烦恼都到后花园与“仙女石”倾诉，她们成为了好姐妹，后来姚氏小姐容颜越来越酷似“仙女孝孝”。美丽大方，楚楚动人，婀娜多姿。当年一场大火烧毁了姚家230余间房屋，当大火侵入小姐楼时，这古井的井水突然沸腾着涌出，熄灭了大火，保护了小姐楼的安全。
游客们：现在这幢楼，一楼将体现安吉妇女的生活情景，二楼体现姚家小姐的生活情景。
★ 导游词介绍
★ 介绍导游词
★ 柬埔寨导游词介绍
★ 古琴台导游词介绍
★ 介绍家乡导游词
★ 新年导游词介绍
★ 资溪导游词介绍
用导游词介绍湄洲岛（精选19篇）
